Anyone in New York on the 1st of June?
You’ll want to know that the Flarf Anthology release party is taking place at Le Poisson Rouge at 7pm – details HERE.
To be honest the concept of Flarf is new to me.
However, the other side of my non-creative writing practice is in the world of information provision, communications, marketing – with over twenty years of online communication/information sharing, and, in the last eight or nine years, this has been heavily based on social media.
And, unbeknownst to me and with little excitement from anybody who has come in contact with it, I have been writing the odd piece of flarf (if I am understanding the whole thing correctly).
I think the lack of excitement from others has had more to do with the fact that in the early years I was unusual among my poetry writing peers on being online for the amount of time that I was and the bizarre cadences of internet/social media based communication were in my world for hours every day. Spam, when spam filters were not as powerful as they are now, was particularly wonderful in the rhythmic patterning of the language.
But if you weren’t on the receiving end of the torrent of offers of, what I’ll call here, potent-making support services that I was getting day and daily, the context would not have been there.
I had come across Flarf a couple of months ago when creating a piece for submission using found social media sound-bites, for want of a better word. It was interesting to see how it appears to have developed in its c. two decades of existence from sending up the mad world of the online (often marketers, politicians and those in the public eye), to a more meaningful engagement with the language, the concerns and the format of day to day online interaction.
I think this important.
The piece I created didn’t cut the mustard (is that even a thing) and I went back this morning to see whether there is a journal or online version that I could resubmit. I think it’s a good piece but I’m not sure whether there are protocal, copyright etc issues for it and people more used to that kind of content would be good to confer with.
In any case, the google-search trail appeared to go cold after the late noughties and I was sad..until I discovered that the anthology is coming out on Tuesday night. How utterly divine is that.
I may be wrong, but it looks to me having had a quick hashtag search of #Flarf, that the early days of the preoccupation (I think there is a fun-factor in this that hasn’t been about a big movement, more a pushing of the boundaries to include where the majority of words are happening these days) were when the Bush regime was in full swing. Then there was a lull, and now we have the wonder of communication – it’s communication Jim, but not as we know it – that is the Trump regime. I think we may all need Flarf to keep us sane.
Good to find this today – and every good wish to Gary Sullivan and all those who have been involved on the launch.