Book now: ‘Knowing the Dance’ 9 Sept, @Down_arts Centre, Downpatrick #performance #masterclass

KnowingtheDancePosterDAC‘Knowing the Dance’ Premiere, Sat, 9 September, 7-8.30pm, £5. To book contact DAC 028 4461 0747 

Inspired by WB Yeats’ famous question ‘How can we know the dancer from the dance?’, this performance of a thought-provoking sequence of dance~poems is created and performed by poet Olive Broderick and dancer Paula Guzzanti, joined by musician Martin Devek.

Introduced by Damian Smyth, Head of Literature and Drama at the Arts Council of Northern Ireland, the performance is a showcase of how dance and poetry can inhabit a shared creative space while honouring the individual practices of poet and choreographer. The performance will be followed by a Q&A session.

‘Knowing the Dance’ Masterclass, Sat, 9 September, 3.15-6.15pm, FREE

Those with a poetry practice are invited to join Sarah Warsop to work on finding ‘the dance’  in their work using the breath and movement. For this three hour workshop, you are invited to bring a poem of your own which you would like to work on. Sarah Warsop is a contemporary jewellery designer and choreographer who has extensive experience of creating a middle place in which diverse artforms can connect. This exploration of a middle place where the dance/movement of the poems reside is based on a masterclass held earlier in 2017 at Down Arts Centre

The workshop is free but participants need to register in advance. Capacity: 12. A bite to eat will be available afterwards for those who are staying on to attend the peformance.

 

To book contact DAC 028 4461 0747 

Artists’ websites

www.PaulaGuzzanti.com

www.MartinDevek.com

www.lettersfromladyn.wordpress.com

http://sarahwarsop.com/

‘Knowing the Dance’ is supported by the Arts Council of Northern Ireland, through the ACES Scheme, and Down Arts Centre

Note: If you are unable to attend the performance on the 9th September, there will are two performances coming up at the Brian Friel Theatre, Queen’s University, Belfast.

KnowingtheDancePosterDAC

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Learning to #dance for Lannigan’s Ball – #Dance House #Dublin #KnowingtheDance

“I stepped out…”

TwineExcited to be heading down to the Dublin for a residential residency at Dance House supported by Dance Ireland from Tuesday-Friday.

The plan of campaign is for Paula Guzzanti (dance artist) and musician Martin Devek and myself to work further on the ‘Knowing the Dance’ performance which has it’s opening performance at Down Arts Centre on the 9 September.

We’ve had some very useful feedback from a work-in-progress performance we had earlier in the summer, and are hoping that we will be able to trial the next stage via the New Movements platform later this week.

It’s wonderful to have this dedicated time and space, with many thanks to Dance Ireland for the support.

‘Knowing the Dance’ is supported by the Arts Council of Northern Ireland through their ACES programme, and Down Arts Centre, Downpatrick.

 

 

 

Save the Date: #KnowingtheDance Masterclass (@Down_arts Centre, 9 Sept)

Today, I am putting the finishing touches to the ‘Knowing the Dance’ programme on the 9 September.

In-between & mid-stream in Downpatrick last January

I had the great fortune to work on an extended masterclass with artist, contemporary jewellery designer and choreographer Sarah Warsop in January this year as part of the Knowing the Dance project that I am working on. I’d seen work she had been doing bringing diverse artforms together (not only choreogrpahy and jewellery design), and wanted to investigate her technique with the hope of finding a way to draw out the movement/dance within the poems so as to understand better where the moving parts are in the poems and how to make them work best; creating a middle-place between poetry and dance (this was part of Paula and my work-in-progress), and using the middle place as a ground of creativity in its own right.

Down Art Centre Masterclass

Delighted that Sarah will be hosting a three-hour masterclass based on the techniques we worked on in January at Down Arts Centre on 9th September. The workshop is free to attend and booking will be open shortly.

Liminal 2017

Sarah was the winner of the inaugural Cockpit Arts’ Performance of Craft Award in 2016 has released her new short film ‘LIMINAL’ in 2017. See the video below – find out more about it and her process HERE.

Save the Date: #KnowingtheDance Premiere at @Down_arts Centre (9 Sept)

Twine

Knowing the Dance‘ Premiere

Inspired by WB Yeats’ famous question ‘How can we know the dancer from the dance?’, this performance of a thought-provoking sequence of dance~poems is created and performed by poet Olive Broderick and dancer Paula Guzzanti, joined by musician Martin Devek. The performance is a showcase of how dance and poetry can inhabit a shared creative space while honouring the individual practices of poet and choreographer. Introduced by Damian Smyth (Head of Literature & Drama at the Arts Council of Northern Ireland), the performance will be followed by a Q&A session.

‘Knowing the Dance’ is supported by the Arts Council NI through the ACES Scheme, and Down Arts Centre.

Date: Saturday, 9 September

Venue: Down Arts Centre, 2-6 Irish Street, Downpatrick, BT30 6BP

Time: 7-8.30pm

Price: £5 (ticket booking available from August on 028 4461 0747)

Please note that the performance will be preceded by a workshop 2 hour (3.15-6.15m) ‘Knowing the Dance’ masterclass. More information to follow.

Artists’ websites

www.PaulaGuzzanti.com

www.MartinDevek.com

www.lettersfromladyn.wordpress.com

http://sarahwarsop.com/

Framing the Landscape #Knowing the Dance

As part of the ‘Knowing the Dance’ project, dancer/choreographer/researcher Paula Guzzanti and I have been meeting up to create a performance which explores innovative ways that movement/dance and poetry can meet where there is, what I am calling, parity of esteem between the two artforms and where the base of inspiration can move backwards and forwards between the two artforms.  Down Arts Centre, Downpatrick, have been the most generous hosts in providing studio space for us to conspire, inspire, experiment and create what I hope will be very interesting and affecting pieces.

Quoile Pondage

 

WP_20170309_14_52_25_ProOne of our experiments is to use the same landscape as a base of inspiration for a piece of work, where Paula would take the movement forward and, I, the poetry. March, here, can be so fine and last Thursday (9 March) provided the ideal conditions to try this out. Paula and I installed ourselves at Steamboat Quay right at the end of the Pondage – and took a half an hour  with our own process. It was lovely that walkers on the Pondage that afternoon seemed very content with us being there.

An interesting synergy emerged when we shared our work. Both of us had been considering where our attention was being drawn to, and how we we responded to that. When we moved to the studio to work on the piece of work which will, I think, be a key piece, this question stayed with us, acting as a kind of binding of sorts between the two artforms. This is very, very inspirational work. It is a real privilege to be working with Puala – including the fact that she has a writing practice and her current PhD research is examining ‘affect’ and this is adding a dimension to the work which won’t be there without this collaboration – a more-than-the-sum-of-its-parts situation entirely.