Last call for @PoetryJukebox submission – Curation 2 #Changingthemessage

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“You had been travelling for days….” All Legendary Obstacles – John Montague

It’s funny the way sometimes things that later turn out to be exceptional additions to your life, can come in under a fog so it’s difficult to pin point a beginning, and then sometimes they come in a way that’s marked in your memory.

The elegant, exceptional royal-blueness that is the Poetry Jukebox belongs, for me, in the second category. The most legendary obstacles I had were the timing of the call and, even more legendary, the taping of the piece. (adds excellent mobile voice recording to the list of reasons why I have to get a new phone or, maybe, Zoom HI and a new phone). The first was fine..in the end. Thankfully.

The second gave a sense of just how much ambient noise I live with in my town-centre flat near a lively establishment. Last August, the levels were of the surround-sound variety – no sooner had the band and revellers departed, than the massed choirs of the dawn chorus began, then, my landlord who I had never seen to use more than a handheld drill took to sawing what appeared to be a whole sawmill of timber from the early hours til late in the back yard. I learned that proper recording equipment is the modern poet’s friend. In the quiet tones of ‘If I only I could be still’, there is a reverb (which fits nicely I think) of ‘I am fit to kill’.

I was thrilled that ‘Friars Bush Cemetery’ (from Night Divers) was accepted. But actually pre-PJ, I was just normally thrilled – the way a person is when the bit of work is accepted for something that you’d love it to be accepted for.

All day I waited…

And then it arrived. What a fantastic idea of Maria McManus and Deirdre Cartmill to bring it here and the Cresent Arts Centre to accommodate it. There were, I know, very legendary obstacles on the road of its being here though I wasn’t directly part of that. But it is here, now – and permanently.

The first time I encountered it – even before it was fully sorted out in its spot or had labels for its buttons – I realised that it was even more of a thrill to be involved that I had imagined.

The launch was wonderful – a chance to meet others on the first-round playlist – some of whom I’d possibly not have met otherwise.

I’m a great fan of any media where you can encounter poetry – but Poetry Jukebox is special. In the middle of Belfast, out in all weathers, welcoming, ready for any comer to press a button (all or any). What has been particularly lovely since is to meet people who have visited PJ and to hear their feedback.

May it flourish – this Jukebox of joy. May you, when you press it’s button, hear exactly what you require to hear. I am really looking forward to hearing the pieces from Curation 2. Up with this sort of thing.

Submission Call for Curation 2 (closes tomorrow, 31 January 2018)

If you haven’t already submitted, there is a small bit of room to limbo under the deadline.

This second edition of curated content on Ireland’s first Poetry Jukebox will mark the 20th anniversary of the signing of Northern Ireland’s Good Friday Agreement –an historic peace agreement. Public discourse matters, and putting something new into public discourse really matters.

Get further details of how to submit HERE – and a video as well about the Poetry Jukebox, the idea behind it and how it’s come to be here.

 

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The @PoetryJukebox @BelfastFestival launch 12 Oct @CrescentArts

 

This innovative project from Belfast based poets Deirdre Cartmill and Maria McManus is part of the Qoutidian – Word on the Street project which seeks to put poetry into public space, to surprise and delight the unsuspecting. The Poetry Jukebox is brought to you in collaboration with Piana na ulici, Prague.

A special launch of the Poetry Jukebox on 12 October as part of Belfast International Arts Festival celebrates the arrival of this new, funky and permanent landmark to the island of Ireland for the first time. Come to Crescent Arts Centre and hear some of the first round of Poetry Jukebox poets read their works at 7pm. The event is free to attend. Just come along no need to book.

The Poetry Jukebox (now with its own twitter feed @PoetryJukebox ) first curation is a combination of open call and invited poets:

Joan Newmann
Michael Longley
Eavan Boland
Celia de Fréine
Stephen Sexton
Mark Granier
Paula Meehan
Eiléan Ní Chuilleanáin
Katie Donovan
Padraic Fiacc
Mary Montague
Adam Trodd
Adrian Fox read by Matthew Rice
Nessa O’Mahony
David Braziel
Seanín Hughes
Olive Broderick
Eamon McGuinness
Afric McGlinchey

Find out more about the initiative in this Irish Times Article.

Here’s a sneak peek of me, courtesy of the Belfast Telegraph, reading ‘Friar’s Bush Cememtery’ (Night Divers 2017) – HERE

Find the sneak peek preview of those recorded in Belfast during the week HERE.

The Poetry Jukebox is a gorgeous new fixture. Contents will change every few months. If you are passing the Crescent Arts Centre in Belfast, you won’t miss. Do have a listen.

 

Landing Places @CrescentArts (29 July, 8pm) – #saveheaneycountry #A6winwinsolution

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Come join #SaveHeaneyCountry for a beautiful Heaney-themed evening celebrating our natural & cultural heritage

Poet, playwright and photographer Maria McManus is spearheading the gathering of poets, spoken word artists and musicians for this fundraiser at the Crescent Arts Centre. (BOOK HERE).

Lough Beg

The strand at Lough Beg, one of the most epic, serene landscapes in Ireland, and practically hidden from view, is one of the last great undisturbed wetlands in Ireland. Alive with some of the rarest species of plants and birds in Europe, archaeologists tell us that the now endangered whooper swan has come to Lough Beg from Iceland for 80,000 years…to overwinter and to breed.

This is the landscape that nourished, obsessed and inspired perhaps the greatest literary figure of the twentieth century, Seamus Heaney.  However, landscape in which the thematic triumphs of Nobel Prize winning literature are located: Mossbawn, Anahorish, Lagan’s Road, The Broagh, Creagh, places immortalized by Heaney, now face the prospect of 22,000 vehicles per day, motorway bridges & further development.

Now more than ever we need to protect our last few wild places and our cultural heritage.

The protection of Lough Beg & a creative solution to the rerouting of the A6

Judges will make a final decision on the fate of Lough Beg on 11th August 2017.  One couple have fought this in a David & Goliath battle and they need your financial and moral support. This is your chance to help them save Lough Beg and protect it for future generations. #SaveHeaneyCountry are fully in support of better road infrastructure for ‘west of the Bann’ but feel that with thought and creativity a win-win solution can be found to reroute this small 4mile section away from this precious habitat and with the recently built Homeplace Centre the value of this special landscape can truly be realised.

We hope you can make it on the night but, if not, do consider donating to the campaign clicking here.