The @PoetryJukebox @BelfastFestival launch 12 Oct @CrescentArts

 

This innovative project from Belfast based poets Deirdre Cartmill and Maria McManus is part of the Qoutidian – Word on the Street project which seeks to put poetry into public space, to surprise and delight the unsuspecting. The Poetry Jukebox is brought to you in collaboration with Piana na ulici, Prague.

A special launch of the Poetry Jukebox on 12 October as part of Belfast International Arts Festival celebrates the arrival of this new, funky and permanent landmark to the island of Ireland for the first time. Come to Crescent Arts Centre and hear some of the first round of Poetry Jukebox poets read their works at 7pm. The event is free to attend. Just come along no need to book.

The Poetry Jukebox (now with its own twitter feed @PoetryJukebox ) first curation is a combination of open call and invited poets:

Joan Newmann
Michael Longley
Eavan Boland
Celia de Fréine
Stephen Sexton
Mark Granier
Paula Meehan
Eiléan Ní Chuilleanáin
Katie Donovan
Padraic Fiacc
Mary Montague
Adam Trodd
Adrian Fox read by Matthew Rice
Nessa O’Mahony
David Braziel
Seanín Hughes
Olive Broderick
Eamon McGuinness
Afric McGlinchey

Find out more about the initiative in this Irish Times Article.

Here’s a sneak peek of me, courtesy of the Belfast Telegraph, reading ‘Friar’s Bush Cememtery’ (Night Divers 2017) – HERE

Find the sneak peek preview of those recorded in Belfast during the week HERE.

The Poetry Jukebox is a gorgeous new fixture. Contents will change every few months. If you are passing the Crescent Arts Centre in Belfast, you won’t miss. Do have a listen.

 

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‘My Father’s Chair’ by Stephen Beggs features at @Down_Arts Centre’s Sunday Poems event – #Downpatrick

As promised a very special edition of Poems on a Sunday Afternoon, coming up this Sunday, 24 September and beginning at the earlier time of 2pm (to 4.30pm).

Featured Spot: Our feature for this session will be ‘My Father’s Chair’ (2-3pm) performed by theatre maker Stephen Beggs, followed by a Q&A session. The show is free to attend for those coming to the Poems on a Sunday Afternoon event but needs to be booked in advance. Please quote PoSA09 when booking your place (2 complimentary tickets).

Shared Space This will be followed by the regular shared session of Sunday Poems starting c.3.30pm, where everyone, as always, is invited to read a piece of their own or a favourite. In keeping with the family-friendly theme of feature performance, younger folk are warmly welcome to this event.

If you need any futher information, contact wordsforcastleward@gmail.com

Hope to see you there!

Book now: ‘Knowing the Dance’ 9 Sept, @Down_arts Centre, Downpatrick #performance #masterclass

KnowingtheDancePosterDAC‘Knowing the Dance’ Premiere, Sat, 9 September, 7-8.30pm, £5. To book contact DAC 028 4461 0747 

Inspired by WB Yeats’ famous question ‘How can we know the dancer from the dance?’, this performance of a thought-provoking sequence of dance~poems is created and performed by poet Olive Broderick and dancer Paula Guzzanti, joined by musician Martin Devek.

Introduced by Damian Smyth, Head of Literature and Drama at the Arts Council of Northern Ireland, the performance is a showcase of how dance and poetry can inhabit a shared creative space while honouring the individual practices of poet and choreographer. The performance will be followed by a Q&A session.

‘Knowing the Dance’ Masterclass, Sat, 9 September, 3.15-6.15pm, FREE

Those with a poetry practice are invited to join Sarah Warsop to work on finding ‘the dance’  in their work using the breath and movement. For this three hour workshop, you are invited to bring a poem of your own which you would like to work on. Sarah Warsop is a contemporary jewellery designer and choreographer who has extensive experience of creating a middle place in which diverse artforms can connect. This exploration of a middle place where the dance/movement of the poems reside is based on a masterclass held earlier in 2017 at Down Arts Centre

The workshop is free but participants need to register in advance. Capacity: 12. A bite to eat will be available afterwards for those who are staying on to attend the peformance.

 

To book contact DAC 028 4461 0747 

Artists’ websites

www.PaulaGuzzanti.com

www.MartinDevek.com

www.lettersfromladyn.wordpress.com

http://sarahwarsop.com/

‘Knowing the Dance’ is supported by the Arts Council of Northern Ireland, through the ACES Scheme, and Down Arts Centre

Note: If you are unable to attend the performance on the 9th September, there will are two performances coming up at the Brian Friel Theatre, Queen’s University, Belfast.

KnowingtheDancePosterDAC

Live in the #Layers – @TopFloorArt #AugCraft17 #Saintfield #KnowingtheDance

Language is a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.
                                      Gustave Flaubert
Yet I turn, I turn, / exulting somewhat, / with my will intact to go / wherever I need to go / and every stone on the road / precious to me.
                             (‘The Layers’ extract, Stanley Kunitz)

LayersandReflectionsprogrammesmall

Tomorrow August Craft Month begins – it’s the annual celebration of craft and applied art across Northern Ireland and an amazing opportunity to see, meet and/or work with the finest designer-makers living and working here.

I had a bird’s eye view of all happenings when working on the digital comms side of Craft NI (the originators and the coordinators of the month) and I continue to be staggered not only by the creativity and imagination of the designs but also by the powers of mastery over materials that we call ‘handmade‘.  ‘Angels’ hands‘ was my name for it because I still find it hard to believe a human being actually made what has been made with bare hands. If you happen to be near pretty much anywhere in NI this month check out the August Craft Month programme.

Layers and Reflections @TopFloorArt

A bit of excitment this year for me as there is a bit of a reflection of my work in the ‘Layers’ exhibition that opens at Top Floor Art on Thursday (3 Aug, 7-9pm and on through the month). No making on my part, I add quickly. ‘Live in the Layers’ takes words from Stanley Kunitz inspiring poem ‘The Layers’ (below). The idea of the piece is from my investigations of the moving parts of poems, through the Knowing the Dance project.  Like the child who takes the transistor radio apart to find out how the noise is made, I’ve been digging into the layers of composition that give poems their resonant qualities.

The making part is wonderful and is the result of a conversation with Top Floor Art’s artists and proprietors textile artist Emma Whitehead and fine artist Stephen McClean who is also a sawdoctor. I had the idea of free floating letters of the phrase, like a mobile (not the telephone kind), moving, catching on each other, throwing shadows on the page. Stephen suggested carving the letters from distressed steel using saws – a sort of meeting of his two worlds.  Emma Whitehead ran interference so that the thing actually made sense as a whole piece.  I’ll have photos shortly but couldn’t wait to share the details.

BandBPaperWorkshopIf you are near Saintfield on Thursday eve (3 Aug, 7-9pm), do call in for the preview and the exhibition – including a range of makers of all craft practices and levels of engagement, a solo show by Ruth Walker (Glass), the fabric mountain and the Butterfly Cloud. Get all the details of what’s on at Top Floor Art HERE  

*Images courtesy of Top Floor Art

The Layers

By Stanley Kunitz

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
“Live in the layers,
not on the litter.”
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.

Stanley Kunitz, “The Layers” from The Collected Poems of Stanley Kunitz. Copyright © 1978 by Stanley Kunitz.

 

Save the Date: #KnowingtheDance Masterclass (@Down_arts Centre, 9 Sept)

Today, I am putting the finishing touches to the ‘Knowing the Dance’ programme on the 9 September.

In-between & mid-stream in Downpatrick last January

I had the great fortune to work on an extended masterclass with artist, contemporary jewellery designer and choreographer Sarah Warsop in January this year as part of the Knowing the Dance project that I am working on. I’d seen work she had been doing bringing diverse artforms together (not only choreogrpahy and jewellery design), and wanted to investigate her technique with the hope of finding a way to draw out the movement/dance within the poems so as to understand better where the moving parts are in the poems and how to make them work best; creating a middle-place between poetry and dance (this was part of Paula and my work-in-progress), and using the middle place as a ground of creativity in its own right.

Down Art Centre Masterclass

Delighted that Sarah will be hosting a three-hour masterclass based on the techniques we worked on in January at Down Arts Centre on 9th September. The workshop is free to attend and booking will be open shortly.

Liminal 2017

Sarah was the winner of the inaugural Cockpit Arts’ Performance of Craft Award in 2016 has released her new short film ‘LIMINAL’ in 2017. See the video below – find out more about it and her process HERE.

Save the Date: #KnowingtheDance Premiere at @Down_arts Centre (9 Sept)

Twine

Knowing the Dance‘ Premiere

Inspired by WB Yeats’ famous question ‘How can we know the dancer from the dance?’, this performance of a thought-provoking sequence of dance~poems is created and performed by poet Olive Broderick and dancer Paula Guzzanti, joined by musician Martin Devek. The performance is a showcase of how dance and poetry can inhabit a shared creative space while honouring the individual practices of poet and choreographer. Introduced by Damian Smyth (Head of Literature & Drama at the Arts Council of Northern Ireland), the performance will be followed by a Q&A session.

‘Knowing the Dance’ is supported by the Arts Council NI through the ACES Scheme, and Down Arts Centre.

Date: Saturday, 9 September

Venue: Down Arts Centre, 2-6 Irish Street, Downpatrick, BT30 6BP

Time: 7-8.30pm

Price: £5 (ticket booking available from August on 028 4461 0747)

Please note that the performance will be preceded by a workshop 2 hour (3.15-6.15m) ‘Knowing the Dance’ masterclass. More information to follow.

Artists’ websites

www.PaulaGuzzanti.com

www.MartinDevek.com

www.lettersfromladyn.wordpress.com

http://sarahwarsop.com/

Landing Places @CrescentArts (29 July, 8pm) – #saveheaneycountry #A6winwinsolution

LandingPlaces

Come join #SaveHeaneyCountry for a beautiful Heaney-themed evening celebrating our natural & cultural heritage

Poet, playwright and photographer Maria McManus is spearheading the gathering of poets, spoken word artists and musicians for this fundraiser at the Crescent Arts Centre. (BOOK HERE).

Lough Beg

The strand at Lough Beg, one of the most epic, serene landscapes in Ireland, and practically hidden from view, is one of the last great undisturbed wetlands in Ireland. Alive with some of the rarest species of plants and birds in Europe, archaeologists tell us that the now endangered whooper swan has come to Lough Beg from Iceland for 80,000 years…to overwinter and to breed.

This is the landscape that nourished, obsessed and inspired perhaps the greatest literary figure of the twentieth century, Seamus Heaney.  However, landscape in which the thematic triumphs of Nobel Prize winning literature are located: Mossbawn, Anahorish, Lagan’s Road, The Broagh, Creagh, places immortalized by Heaney, now face the prospect of 22,000 vehicles per day, motorway bridges & further development.

Now more than ever we need to protect our last few wild places and our cultural heritage.

The protection of Lough Beg & a creative solution to the rerouting of the A6

Judges will make a final decision on the fate of Lough Beg on 11th August 2017.  One couple have fought this in a David & Goliath battle and they need your financial and moral support. This is your chance to help them save Lough Beg and protect it for future generations. #SaveHeaneyCountry are fully in support of better road infrastructure for ‘west of the Bann’ but feel that with thought and creativity a win-win solution can be found to reroute this small 4mile section away from this precious habitat and with the recently built Homeplace Centre the value of this special landscape can truly be realised.

We hope you can make it on the night but, if not, do consider donating to the campaign clicking here.